We are showing 4 live video engineer jobs across the United States. Postings come straight from the companies hiring, so there are no reposted or expired ads in this list. Save a search and get told when a new one lands.
4 open video engineer jobs across the United States.
The video engineer, the V1 on the call sheet, owns the video system: the switcher, the signal path, and every surface the audience watches. On a corporate show that means the main screens for the general session, confidence monitors for presenters, and records and streams going out clean. The V2 assists: shading cameras, patching sources, and re-running cable when the plot changes an hour before doors.
Video covers more seats than any other department. LED techs build and map the wall, projectionists blend and converge projectors, camera operators shoot the show, media server operators run playback and graphics from machines like disguise, and the V1 ties all of it into one picture.
Load-in starts with the heavy work: build the LED wall or rig projectors, run power and signal, and get a picture up. Then the engineering pass, setting formats and refresh, building the switcher file, checking every source and every record. Rehearsals are where the show gets built cue by cue with the graphics operator and the show caller.
Show days are mostly discipline. Watch the signal path, keep the backup record rolling, follow the run of show, and never let the screen go black. Strike is the build in reverse, and the truck does not leave until the wall is in its cases.
Video seats price by responsibility. Day rates commonly run $350 to $900 depending on market and role, with screen-switcher engineers and media server operators toward the top of the range and LED and general video techs earlier in it. Large shows in major markets pay above the middle of that spread.
Staff video roles live at production companies, staging houses, broadcasters, and in-house AV operations. The salary is steadier than freelance income and the gear time is constant, which is why plenty of working V1s started as shop techs prepping racks and building looms.
AVIXA CTS is the verified certification most often named on video and general AV postings, an accredited exam-based credential. FAA Part 107 is the other verified certification in this department: it is the actual FAA remote pilot certificate, and it is what makes drone shots on a show legal work rather than a liability.
disguise and Barco Event Master courses are manufacturer training. They carry real weight on media server and screens calls, but they are vendor-issued training, not certifications, and the distinction matters when an employer is deciding what to trust. OSHA 10 and lift tickets are safety and operator cards for site access. The systems themselves, E2 and S3, Analog Way, Spyder, NDI and SDI signal flow, are self-reported skills you claim on a profile and then prove at load-in.
Most engineers come up through the shop or the truck: video tech to LED tech to V2 to V1, or through playback into media server programming. From there the branches are screens producer, engineer in charge, technical director on the production side, or the projects desk at a staging house.
The habit that gets you rebooked is the boring one. Label the looms, document the show file, test every input twice, and hand the next crew a system they can trust.